It all started in April when Ross was going over storyboards and found that there would be two days of second unit needed for the first week of August. According to Soderbergh, Ross called him and said, "Is there any way you can come down and help me out? Because I'd rather have you do it than hire somebody who I don't know." Seeing a gap in his schedule - Contagion had wrapped and Magic Mike was just starting to be prepped - he agreed.
As for Soderbergh's approach, his goal was to simply emulate everything that Ross and cinematographer Tom Stern had been doing. "If I've done my job properly, I hope I did," Soderbergh said, "by design, you won't be able to tell what I did. Because it's supposed to cut seamlessly into what they're doing. That's the whole point. That's why he asked me to come down, because he knew that I would be rigorous about matching what they were doing." The filmmaker was shown footage from around the stuff he was doing and they talked at length about the vision of the project. "I thought, 'OK, I see what you guys are doing,'" Sodbergh said. "'I know what the tool kit is. I know what the rules are'. And it's fun in a way."
He also found some excitement making films not for himself, but for someone else's approval. "I was really back to that situation of being the person who has to please someone else – as opposed to pleasing myself," Soderbergh said. "And that made me really anxious. You know, I wanted to do a good job... Gary is a friend of mine."
Best part about this? You know there are going to be some crazy people out there who go to see The Hunger Games just so that they can try and pick out the shots done by Soderbergh. Hell, I may even join them.
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